We are still fighting, and must: Jenifer Nii’s THE AUDACITY premieres at Plan-B Theatre (NOW ONLINE!)
Posted By Salt Lake County ZAP
March 02, 2020
"The stars aligned for us at Plan-B Theatre to be able to film Jenifer Nii's THE AUDACITY on Tuesday, March 26. Current ticket holders will be contacted directly to receive exclusive access to the stream Saturday, March 28 through Tuesday, March 31.
The stream then opens up to the public, free!, April 1-5 at planbtheatre.org
We would like you to know they have followed every Covid19 protocol since March 13. Since then, they have experienced two building closures (pandemic + earthquake!) and only held 6 rehearsals, none with more than 7 people in attendance, all observing 6' distance. They were only able to pull this off because THE AUDACITY is a one-woman show, April Fossen is an actor without peer, and the design team had the show pretty much complete prior to March 12.
We hope you enjoy Jenifer Nii's lyrical and surprising new play THE AUDACITY, her eighth world premiere with us, our gift to you in this uncertain time."
Jerry Rapier, Artistic Director, Plan-B Theatre
Playwright Jenifer Nii proudly calls Plan-B her creative home. She has previously premiered THE WEIRD PLAY, KINGDOM OF HEAVEN (created with Dave Evanoff), THE SCARLET LETTER, SUFFRAGE, RUFF!, WALLACE (created with Debora Threedy) and (IN)DIVISIBLE (a collaboration with 11 other local playwrights) at Plan-B. Her latest, THE AUDACITY, premieres March 26-April 5.
THE AUDACITY began with a story about a woman who dared to carve her own path in life. Josie Bassett lived nearly 90 years in the wilds of eastern Utah, amid cowboys and Natives and outlaws and Mormons. She romanced Butch Cassidy, ran a ranch and rustled cattle, bootlegged wine and whiskey, and sent five husbands packing. She outlived the Great Depression, two World Wars, and the fight for women’s suffrage.
How? How did this woman live this life, at a time when women were audacious for daring to wear trousers?
Josie Bassett, January 17, 1874 – May 1, 1964
THE AUDACITY began with one woman’s feat - her determination and independence, her stubborn unwillingness to submit or compromise. What emerged during my research, though, became much more. Josie didn’t just HAPPEN. She was, in so many ways, built and shaped - by her fiercely independent mother, who showed her how to ride, rope, and lead; by her younger sister Ann, a rival to keep her sharp who reigned over a gang of rustlers; by her father who honored the strength and ambition of his wife and daughters; and by a culture that, in pushing against her, taught her to push back.
Playwright Jennifer Nii
What emerged was a call to arms. I have realized while working on this project that the same audacity the Bassett women displayed is what is required of women today. The obstacles have not changed, nor has the opposition weakened. Women must still defend the sanctity of their bodies, choices, and ambitions. We are still fighting, and must.
This realization changed the way THE AUDACITY developed. One woman’s story became THE women’s story. The perspective of the past grew to include the now. New characters emerged in the play - modern women speaking alongside their historical sisters about what it is, and what it takes, to live the life they choose. What it takes to be audacious.